Woman of the Year/Dvdby Hepburn, Tracy Dvd Video Edition DVD

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The first film starring the legendary screen team of Spencer Tracy and Katharine Hepburn, this savvy dramatic comedy from 1942 plays off the unlikely match of polar opposites--the brash sports reporter Sam Craig (Tracy) and the brilliant political commentator Tess Harding (Hepburn) from the New York Chronicle--whose marriage grabs front-page headlines. Balancing her flashy career with marital bliss turns out to be a complicated challenge for the worldly Tess, whose down-to-earth husband struggles to support her ambition while keeping their marriage from falling apart. Though some of its sexual politics are sure to seem outdated, this sparkling comedy is still relevant to today's demanding professional lifestyles, and the Hepburn-Tracy chemistry is a wonder to behold in some of their all-time favorite scenes. Woman of the Year was gracefully directed by George Stevens, from a screenplay by Ring Lardner Jr. and Michael Kanin. --Jeff Shannon

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Critic Pauline Kael called this shamelessly enjoyable, vintage Bette Davis weepie a "kitsch classic," and time hasn't diminished its ability to give the tear ducts a good flushing. Davis plays a swinging socialite, living the fast life of booze, smokes, and--with the help of Humphrey Bogart as her Irish stableman--raising thoroughbred horses. When a brain tumor starts giving her headaches and eroding her vision, she falls in love with her surgeon (George Brent), who grows more determined than ever to cure her. Davis gives one of her most vibrant performances, and her costars also include Ronald Reagan and Geraldine Fitzgerald. The film received Oscar nominations for best picture, best actress, and for Max Steiner's score. --Jim Emerson

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There are two great husband-wife teams (one on-screen, the other off) involved in this classic 1949 comedy. Not only do Katharine Hepburn and Spencer Tracy throw comedic sparks as a married team of lawyers on opposing sides of a high-profile case, but their exquisite verbal jousting was scripted by the outstanding team of Garson Kanin and Ruth Gordon. Leading all of this stellar talent was director George Cukor at the prime of his career. The result is one of Hollywood's greatest comedy classics, still packing a punch with its sophisticated gender politics. Arguably the best of the Tracy-Hepburn vehicles, Adam's Rib shows the stars at their finest in roles that not only made their off-screen love so entertainingly obvious, but also defined their timeless screen personas--she the intelligent, savvy, rebellious woman ahead of her time, he the easygoing but obstinate modern man who can't help but love her. Screen teams don't get any better than this. --Jeff Shannon

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A Christmas perennial from 1947, this comedy/fantasy stars Cary Grant as Dudley, an angel who works his heavenly magic on an Episcopalian bishop (David Niven) who is struggling to raise money for a new church and who has grown distant from his wife (Loretta Young). While Young remains unaware of the angel's benevolent influence, this light comedy unfolds with abundant charm and lasting appeal. Featuring engaging performances from its stellar cast, The Bishop's Wife inspired the 1996 remake The Preacher's Wife, starring Denzel Washington and Whitney Houston. --Jeff Shannon

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Elizabeth Taylor has never been sexier than as Tennessee Williams's hot-blooded Maggie "The Cat" Pollitt, prowling around her boudoir in a slinky white slip. That's how you know her alcoholic, ex-football-player husband, Brick (Paul Newman), must have more than just his leg in a cast. It's the 65th birthday of wealthy (but dying) southern patriarch Big Daddy (Burl Ives), and his sons Gooper (Jack Carter) and Brick have come to suck up to him for $10 million in inheritance money. Gooper is a family man and father to a brood of "no-neck monsters"; youngest boy Brick is papa's favorite (as if you couldn't tell from the fellow's names), but hasn't sired progeny. Maggie is definitely in heat, but Brick refuses to sleep with her because he suspects her her of being unfaithful with his best friend, who recent committed suicide. Although toned down for the movies, Cat on a Hot Tin Roof is vintage Tennessee Williams. The film was directed by Richard Brooks (In Cold Blood, Blackboard Jungle, Elmer Gantry). --Jim Emerson

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Clint Eastwood (the Man with No Name) is good, Lee Van Cleef (Angel Eyes Sentenza) is bad, and Eli Wallach (Tuco Benedito Pacifico Juan Maria Ramirez) is ugly in the final chapter of Sergio Leone's trilogy of spaghetti westerns (the first two were A Fistful of Dollars and For a Few Dollars More). In this sweeping film, the characters form treacherous alliances in a ruthless quest for Confederate gold. Leone is sometimes underrated as a director, but the excellent resolution on this digital video disc should enhance appreciation of his considerable photographic talent and gorgeous widescreen compositions. Ennio Morricone's jokey score is justifiably famous. The digital video disc includes about a quarter-hour of footage not seen in the original release.

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It's brash! It's grotesque! It's a blistering display of psychological terrorism! One of the blackest comedies ever made, this 1962 thriller rejuvenated the careers of Bette Davis and Joan Crawford and played heavily on their own Hollywood legends, incorporating film clips from their earlier stardom to add depth and realism to a severely twisted tale of sibling rivalry. Davis plays the former child star turned wrinkled hag Jane Hudson, whose sister Blanche (Crawford) eclipsed her star in Hollywood, and has been paying for it ever since. Now confined to a wheelchair, Blanche is held prisoner in the musty mansion she shares with Jane, who terrorizes Blanche with maniacal control (and dead rats for dinner), and embarks on an absurd campaign to revive her career, curly-haired wig and all. A deranged showcase for its stars, the film also introduced Oscar nominee Victor Buono as the sycophantic pianist hired to accompany Jane's bizarre vaudeville revival. Hilarious, frightening, and not to be missed! --Jeff Shannon

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Recreating the role she originated in Philip Barry's wickedly witty Broadway play, Katharine Hepburn stars as the spoiled and snobby socialite Tracy Lord in this sparkling 1940 screen adaptation of The Philadelphia Story, one of the great romantic comedies from the golden age of MGM studios. Applying her impossibly high ideals to everyone but herself, Tracy is about to marry a stuffy executive when her congenial ex-husband (Cary Grant), arrives to protect his former father-in-law from a potentially scandalous tabloid exposé. In an Oscar-winning role, James Stewart is the scandal reporter who falls for Tracy as her wedding day arrives, throwing her into a dizzying state of premarital jitters. Who will join Tracy at the altar? Snappy dialogue flows like sparkling wine under the sophisticated direction of George Cukor in this film that turned the tide of Hepburn's career from "box-office poison" to glamorous Hollywood star. --Jeff Shannon

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Paul Newman gives one of the defining performances of his career, and cemented his place as a beautiful-rebel screen icon playing the stubbornly tough and independent title character in Cool Hand Luke. And before he became familiar as a sidekick in 1970s disaster movies (Earthquake and the Airport movies), George Kennedy won an Oscar for playing Dragline, the brutal chain-gang boss who tries to beat loner Luke's cool out of him. It's a classic rebel-against-the-repressive-institution story in the line of One Flew over the Cuckoo's Nest or The Shawshank Redemption. Certain moments have become classics--particularly the hardboiled egg-eating contest, and the immortal line (drooled by Strother Martin, as a sadistic redneck prison officer), "What we have here is a failure to communicate." And don't forget, Luke is also the source of the oft-quoted driving ditty, "I don't care if it rains or freezes, long as I have my plastic Jesus, right here on the dashboard of my car..." He is cool, all right. The digital video disc is in anamorphic widescreen and digital stereo. --Jim Emerson

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After his successful direction of the Broadway hits Barefoot in the Park and The Odd Couple, Mike Nichols made his filmmaking debut with this outstanding and still-powerful screen adaptation (by Ernest Lehman) of Edward Albee's taboo-shattering play. In their fourth film together (and by far their finest), Richard Burton and Oscar winner Elizabeth Taylor play a New England couple whose marriage hangs by a thin thread of self-deception, vicious verbal jousting, and embittered mutual need. George Segal and Sandy Dennis (who also won an Oscar) play the younger, unsuspecting couple who awkwardly witness the devastating rivalry of their hosts. Handling adult themes with intelligence and forceful dramatic impact, this was the film that finally shattered Hollywood's self-censoring Production Code with commercially successful results. The DVD features an insightful commentary track by Haskell Wexler, whose black-and-white cinematography deservedly won an Academy Award. --Jeff Shannon

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